Saturday, July 4, 2015

Spoon Covers The Cramps, Oh The Lack Of Horror

The Cramps: Rock & Roll Spook Show
The Cramps came on to the music scene with songs that obviously and unapologetically ripped off riffs from classic gems of the 50's/60's era garage rock, surf rock and rockabilly. This has been well documented with the 3 volume compilation set "Songs The Cramp Taught Us," which brings the original songs together. What distinguished the songs The Cramps put to tape from the original source material is lyrics that came from the pits of hell and describe scenes of horror. While The Misfits did something similar, Danzig would scream and croon many of his lyrics while Jerry Only played his guitar at the speed of punk rock. Not striking as deeply into the punk sound as The Misfits, The Cramps kept a toe-tapping rhythm under lyrics that were spoken/sung with Lux Interior's performative vibrato in a way that exaggerated the elements of paranoia and creepiness of the lyrics in songs like "I Was A Teenage Werewolf," "Human Fly," "Green Door," and "Voodoo Idol." These songs don't only narrate spooky tales, but attempt to make the audience just as unsettled as the characters in them. It wasn't just the effects on the guitar, but the way Lux Interior sang that gave The Cramps a distinct sound and made the horror movie aspects of their music work so well. 

If you've never heard of The Cramps, you may not alone. They were nowhere near mainstream and probably make a few people uncomfortable. When songs like "TV Set," describe homicide and dismemberment, The Cramps weren't exactly radio friendly. Since the movie Poltergeist is being remade, it makes sense that the soundtrack could use a cover or two. One cover that will be on it is Spoon's version of The Cramps classic "TV Set." While Spoon's cover of The Cramps is actually very good, it is absent of the creepiness that makes the original unsettling. Spoon's version is so clean that it comes off as The Cramps if they were produced by Phil Spector. Britt Daniel does a great job of transcribing the jittery cadence Lux Interior first performed it with, but the frightening tones present in Lux's voice is not in Daniel's. While the cover is well worth listening to, it only make me wonder how great it would be to watch a scene in a horror movie where the original version plays as people are running scared.


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